Carioca: Anyone born in the city of Rio de Janeiro, Brazil. Confess: to acknowledge one's belief or faith in; declare adherence to, to reveal by circumstances.
Friday, September 17, 2010
A Friday Afternoon Sentiment
such proofs of love divine,
Had I a thousand tongues to give,
Lord, they should all be thine."
--Samuel Stennett, 1787
(Hymnal 1940, #353)
Friday, August 13, 2010
Another Nugget from the Hymnal 1940
If you stop by here from time to time, you know that I like to dig around once in awhile in the detritus of the Hymnal 1940—items that were passed over when the “new” hymnal for the Episcopal Church was compiled … thirty years ago (!).
Today’s treasure is #348, a text penned by Frederick William Faber in 1854, nine years after his conversion from Anglicanism to Roman Catholicism.
Jesus, gentlest Savior, God of might and power, Thou thyself art dwelling With us at this hour.
Nature cannot hold thee, Heav’n is all too strait For thine endless glory And thy royal state.
Out beyond the shining of the farthest star, Thou art ever stretching Infinitely far.
Yet the hearts of children Hold what worlds cannot, And the God of wonders Loves the lowly spot.
No, it’s not on the level of the ineffable early 17th century metaphysical poets (Herbert, Donne, Herrick, et al), or even Wordsworth (to choose a contemporary of Faber’s whom he admired). But there’s something quite affecting about how he lays out the paradox of the Incarnation, with subtle gestures toward New Testament imagery (say, Colossians 1): The universe itself is too small to “hold” Christ, yet that same Christ can dwell in the heart of a child.
I guess what I like about it is that it’s not only Victorian schmaltz (which it indeed is), but has both literary and theological integrity as well.
The tune, Eudoxia, by Sabine Baring-Gould (who wrote the text, but not the music, to Onward, Christian Soldiers), is one that I find quite charming, but I fear my tastes are so rarified as to be eccentric. Most would find it … well … stodgy.
Friday, June 25, 2010
Spelunking in the Hymnal 1940
As is my wont on occasion, I spent some time this afternoon at the console of the “Mighty Rodgers” in St Anne’s Church playing through selections from the Hymnal 1940. This volume was the Episcopal Church’s official hymnal from 1943 until 1985, when it was succeeded by the Hymnal 1982, still in the pew racks in Episcopal parishes across the land. (Yes, there’s a three year date discrepancy between the name by which a collection is eventually remembered and the time it is put into use, owing to the fact that one General Convention approves the proposed texts, to which are then assigned tunes by the Standing Commission on Liturgy and Music, and the next convention approves the final edition. My suspicion is that most churches will never again issue an actual bound hymnal for wide distribution; there will simply be a series of supplementary new collections which are legally downloadable and reproducible for use in local congregations.)
I became an Episcopalian in the early 1970s, and a semi-mystical experience with the Hymnal 1940 in a piano practice room at Westmont College played a big role in setting me on that path. I was so moved that I thought to myself, “Where have these hymns been all my life? If there’s a church that actually sings them, I need to be in it.” And so I am.
As one who suffers from the curse of being a “classically trained musician” (a polyvalent moniker if there ever was one), there is some irony in the fact that I am pastor of a congregation where there is a good bit of energy for the 2000s version of the sort of musical fare I thought I was fleeing (and being liberated from) when I embraced Anglicanism. The Lord has a sense of humor. I have occasional flashes of pastoral wisdom, which lead me to be judicious in what I ask my people to sing, and, if you know me at all, it shouldn’t surprise you that I let the demands of the liturgy itself, in dialogue with what will actually “work” in this community, shape the selection of musical items that we use in our worship. Consequently, a lot of songs—hymns and service music—that I find personally very appealing have to be kept on the shelf.
This does not keep me, however, from spending an hour on a Friday afternoon rooting around territory that I know I can’t cut and paste into Sunday morning. When I do so, it’s nearly always a bittersweet experience. It’s very like watching Mad Men, which, as a child of the 1960s, I find almost painfully nostalgic, in that it shows me a reality, aspects of which I yearn for, but certainly could not (and should not even if I could) “cut and paste” into the real world of the 2010s.
Today I began at Hymn 451 of the Hymnal 1940. The text is a 19th century paraphrase of Psalm 131, which just happens to be one of my favorite passages of scripture. But the poet, James Montgomery, certainly brings some of his own baggage into the endeavor.
Lord, forever at thy side Let my place and portion be; Strip me of the robe of pride, Clothe me with humility.
Meekly may my soul receive All thy Spirit hath revealed; Thou hast spoken, I believe, Though the oracle be sealed.
Humble as a little child, Weaned from the mother’s breast, By no subtleties beguiled, On thy faithful word I rest.
Israel now and evermore In the Lord Jehovah trust; Him, in all thy ways adore Wise, and wonderful, and just.
The second verse in particular arrested my attention in light of a recent thread on a message board in which I participate (made up mostly of deputies to General Convention). The subject has been the nature of scriptural authority, and whether the canon of scripture is indeed actually “closed",” or could the Church (yes, I know, which manifestation of the Church?) determine that the Holy Spirit is leading it to include some other document—someone suggested National Geographic. I have an opinion or two on this question, but I’m not going to go there now except to observe that, apparently, it was not considered a live option in 1940 when the texts of the new hymnal were forwarded to convention. I don’t think the Episcopal Church is going to evict any of of the Pauline epistles or adopt the Gospel of Thomas as canonical scripture any time soon. But the fact that it would even be brought up is telling enough, and evokes a certain wistfulness for the days of yore.
Moving on now to Hymn 454, here’s a trivia factoid certainly worth a raised eyebrow:
Lord, with glowing heart I praise thee For the bliss thy love bestows, For the pardoning grace that saves me and the peace that from it flow; Help, O God, my weak endeavor; This dull soul to rapture raise: Thou must light the flame, or never Can my love be warmed to praise.
Two more stanzas of similarly wholesome self-abnegating piety follow. Who’s the author? None other than he who watched the bombardment of Fort McHenry in Baltimore harbor in 1812 and penned the lines that are now known as our National Anthem—Francis Scott Key.
I’ve been known to rehabilitate an item from the Hymnal 1940 for Sunday use from time to time, even while I concede that it certainly needed to be replaced when it was, if for no other reason than that we needed hymns compatible with the revision of the Prayer Book six years earlier. But, like the celebrated eleventh edition of the Encyclopedia Britannica, it is a classic in its own right, and can’t ever really be replaced. And it’s a wonderful artifact of an era in the church’s history when it seemed at the same time more sure of itself and more humble than it does now. If I could travel in time, I don’t think I would enjoy the Episcopal Church of the 1940s for what it was—much of it would annoy me. But I suspect that I would to some extent enjoy it for what it was not.
Friday, February 12, 2010
On Deep-Toned Organ Blasts (etc.)
In search of a Friday-afternoon spiritual pick-me-up (and a little nostalgia, perhaps), I am sometimes wont to sit down at the organ console and play/sing through selections from the Hymnal 1940, of blessed memory. I try not to just brush by hymns I’m not familiar with (which is the very definition of obscurity), but, rather, to attend to them in an attitude of receptive prayer.
Hymn 283 is one such. The tune is a Bach chorale that carries the appellation Steadfast, but it was certainly once linked to a German text and had another name. Like all of Bach’s work in this genre, it is a gem, but the dynamic interplay between folk art and fine art in the German chorale from Luther to Bach is probably the subject of one more doctoral dissertation I will have never written. So I will say no more on that here.
The text is from 1925, by one Edward Grubb, who, by the definition above, is officially obscure. It is from the “General Hymns” section, and, like many from that section and (especially) from that era, it is all about “God,” about which there is assuredly nothing wrong, but it is short on the Paschal Mystery (never really gets around to it, actually), which, all else being equal, I find a trifle annoying. The gospel is too often unwittingly reduced to mere ethical theism (especially among us crytpo-Pelagian Anglicans), with no use for the second or third Persons of the Trinity.
My approval, however, can be bought, and, since I am a fan of fine church organs of all sorts, he pulled just the right stop with these line from the third verse:
All beauty speaks of thee: The mountains and the rivers, The line of lifted sea, Where spreading moonlight quivers, The deep-toned organ blast That rolls through arches dim Hints of the music vast Of thy eternal hymn.
A competent organist (i.e. someone other than me) could surely arrange for some quite attention-getting effects on the words I put in bold typeface. What fun that would be!
Not too long ago, I preached on the text from John’s gospel that tells of the wedding miracle at Cana. The evangelist tells us that this was the first of Jesus’ “signs” and that in that sign he “manifested his glory.” And as a result of that manifestation of glory, “his disciples believed in him.” In 2005, my wife and I climbed to the Whispering Gallery in the dome of St Paul’s Cathedral in London. From those dizzying heights, we could see some of the 32’ pedal pipes, laid horizontal on mezzanine levels that would not be visible from the nave. Then somebody started demonstrating the organ, and we heard some deep-toned blasts that we shall never forget. Yes, “all beauty” speaks of God. But for some of us, it is particularly present in deep-toned organ blasts rolling through dim arches.
Friday, October 02, 2009
More Dispatches from the Hymnal 1940
From Greenland's icy mountains,From India's coral strand,Where Afric's sunny fountainsRoll down their golden sand.From many an ancient river,From many a palmy plain,They call us to deliverTheir land from error's chain.Can we, whose souls are lightedWith wisdom from on high,Can we to men benightedThe lamp of life deny?Salvation, O salvation!The joyful sound proclaim,Till each remotest nationHas learnt Messiah's name.Waft, waft, ye winds, his story,And you, ye waters, roll,Till, like a sea of glory,It spreads from pole to pole;Till o'er our ransomed natureThe Lamb for sinners slain,Redeemer, King, Creator,In bliss returns to reign.
Remember all the peopleWho live in far off lands,In strange and lonely cities,Or roam the desert sands,Or farm the mountain pastures,Or till the endless plainsWhere children wade through rice-fieldsAnd watch the camel trains.Some work in sultry forestsWhere apes swing to and from,Some fish in mighty rivers,Some hunt across the snow.Remember all God's children,Who yet have never heardThe truth that comes from Jesus,The glory of his word.God bless the men and womenWho serve him oversea;God raise up more to help themTo set the nations free,Till all the distant peopleIn ev'ry foreign placeShall understand his kingdomAnd come into his grace.
Monday, September 28, 2009
A Hymn Geek's Version of Oldies
Ye Christian heralds, go proclaimSalvation in Emmanuel's name;To distant lands the tidings bear,And plant the Rose of Sharon there.God shield you with a wall of fire,With holy zeal your hearts inspire,Bid raging winds their fury cease,And calm the savage breast to peace.And when our labors all our o'er,Then may we meet to part no more,Meet, with the ransomed throng to fall,And crown the Savior Lord of all.
Now the laborer's task is o'er;Now the battle dayis past;Now upon the farther shoreLands the voyager at last.Father, in thy gracious keepingLeave we now thy servant sleeping.There the tears of earth are dried;There its hidden days are clear;There the work of live is triedBy a juster Judge than hear.Father...There the penitents, that turnTo the cross their dying eyes'All the love of Jesus learnAt his feet in paradise.Father...There no more the powers of hellCan prevail to mar their peace;Christ the Lord shall guard them well,He who died for their release.Father..."Earth to earth, and dust to dust,"Calmly now the words we say,Left behind, we wait in trust,For the resurrection day.Father...
Thursday, April 09, 2009
Sacrum Triduum
Friday, November 14, 2008
Up In Smoke
The heart-wrenching news for me today comes from the Santa Barbara suburban neighborhood of Montecito, home of Westmont College, my alma mater. Sunday, March 25, 2007
A Motion to Reconsider
In the wake of the mind-of-the-house resolutions passed of late by the House of Bishops, I participated in a comment thread on the blog Daily Episcopalian, tended by Jim Naughton, the communications director for the Diocese of Washington. It has a predictably liberal perspective, quite unapologetically. But I'm convinced that Jim is not totally depraved--not only because I'm not a Calvinist, but because he is a baseball fan, and is therefore not far from the Kingdom of God. When my comments began to draw a number of responses, Jim very kindly invited me to to a "guest piece" of sorts on his blog. It has now been posted there, and by prior agreement, I'm also putting it up here. Hope springs eternal.
In my comments in response to this post on Daily Episcopalian, I suggested that the House of Bishops had just kissed off the only live option for maintaining some semblance of institutional unity among those who have—until recently, at least—identified themselves as Episcopalians. Jim wrote me off-line, saying in effect, “So we’re at an impasse. What do you think will work?”
This would not be an ideal church for either Liberals or Conservatives. It would be annoying. It would be messy. It would be profoundly costly—in a spiritual, not in a financial sense. It would therefore be real. It would mean letting go of our American idolization of democratic and parliamentary processes. The “majority” would need to learn to serve, rather than to rule, and the “minority” would need to be humble enough not to exploit the graciousness of the majority, but to replace mere obduracy with self-differentiated openness. Such a church would have a chance, at least, of making the sort of witness in the world that God expects of us. It might just work.